An Introduction to Spillway Stories
by Marcia Ratliff, photograph by Mai’a Williams
Spillway is a place we go to bear witness.
Folks in Winona know it as a low concrete wall, a stairstep on the horizon, visible from the boat launch at Prairie Island campground. The water moves over the dam, and in the spring flood the wall appears as barely a ripple on the surface, dangerous currents swirling underneath. In the summer, the spillway is part balance beam, part fishing dock, magnet for those of us who seek proximity to a boundary.
This project combines artists and community leaders who, in ways both formal and informal, are making change in the Winona area—change that is rooted in their lived experience, their culture, their way of being and moving in this river town. The project explores memory, what is shared across differences, what is on the cusp of transformation.
Spillway is curated by Marcia Ratliff and Mai’a Williams of Engage Winona, in collaboration with Matthew Fluharty of Art of the Rural. These fifteen stories are a beginning of what we hope will be an ongoing project, and also a continuation of the gathering and storytelling work that is central to Engage Winona’s community practice. There’s an element of storytelling in everything we do, from bingo games to community conversations—an invitation to deepen our understanding of each other, to expand our narrative of what Winona is and can be.
In Winona, there are aspects of our shared geography that are inescapable. In the summertime, we watch the weather roll into the river valley, swirl around, and lift away. We know the shape and density of the fog that hunkers over the lake and river in the shoulder seasons, carrying with it a riverine musk. We seek the river’s edges, many of us with a special place we go that feels secret, even sacred, known only to ourselves.
There’s no part of our region that isn’t shaped by the big river. And there’s no part of our region that hasn’t been shaped by the humans who live here. The spillway itself is evidence of the way we have altered our environment. It’s a buckle in the fabric of the river, a fault line that reveals the decades of sculpting that transformed the river into a 9-foot channel. Yet it remains a place we cherish.
The same goes for the sandbar that Winona sits on, Dakota homeland that was once an expanse of tall grass criss crossed with horse trails. The Dakota people living here managed this place as an abundant game reserve teeming with birds, deer, and antelope, the families living on the prairie in the summer and moving to the tree cover of the river islands in the winter. When European settlers took this land through predatory treaties and violence, they broke up the prairie, planted trees, dismantled mounds, desecrated graves, and imposed a street grid on what was once grass that rippled in the wind like the surface of water. The land of Winona tells the story of genocide and taking. Dakota people continue to tend it, persisting in a process toward greater understanding and healing.
This project weaves a diverse range of artworks, photographs, written features, and oral histories in a community where past and future are, as one community member put it, as close together as East End houses. There’s a richness in the individual personalities and practices of each maker and changemaker featured here, reflecting deep differences in the way we experience this place depending on our identity.
At the same time, a current of interdependence and community flows through these stories. Consider Kiesha Morgan’s relationship building through food, Gloria Alatorre’s coaching that is rooted in the plants and water of the region, the way Maurella Cunningham nurtures social change in community groups, the embodied storytelling of Fr. Paul Breza. Woven in are references to our cultural memory and shared geography, our collective understanding of where we came from and where we are. We hear calls to create a place that feels like home for more of us, newcomers and lifelong residents, and calls to deeper compassion.
Our task now is to pay attention, to observe how the present informs our intersecting future.
Read Marcia’s poetry at www.tornpaperpoems.com.
Learn more about Mai’a at www.maiawilliams.net.
The stories shared here were produced through a collaboration between Art of the Rural and Engage Winona.
This activity is made possible by the voters of Minnesota through grants from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.